The Changing Landscape of Filmmaking

Last night I had the pleasure of watching the movie Heretic and it was nothing short of brilliant (no, seriously, I sobbed at the end). As I was leaving the cinema, still recovering from the emotional rollercoaster I’d just experienced, I noticed something interesting in the credits: a reassuring note that read, “Generative AI wasn’t used for any part of this movie” (or something similar). Oddly enough, even though the thought hadn’t even crossed my mind, seeing that message gave me a sense of relief. What I had just experienced was solely a product of human creativity.

I always feel conflicted when I find myself admiring AI-generated art. It feels strangely unsettling, almost like a betrayal of my senses, when I see an image I love on Pinterest only to realise after closer inspection that it wasn’t made by a human.

Anyway, this moment in the cinema sparked some questions in my mind: Why did the filmmakers feel the need to state that no AI was involved? Was it required, or were they simply making a statement? What ethical considerations come into play when (or if) AI is used in filmmaking?

Curious, I decided to dig into the current state of AI’s role in the film industry. As it turns out, there aren’t yet comprehensive regulations requiring artists to disclose the use of AI in their work. However, recent developments suggest the industry is moving toward greater transparency and protection for creators. A major demand of the Hollywood writers’ strikes, led by the Writers Guild of America (WGA), was exactly the negotiation of protections and limitations around AI’s use in film and television production. The new deal is expected to address some of their concerns.

Demonstrators hold signs in front of Paramount Studios during a screenwriter’s strike in Los Angeles, California, on May 2, 2023. – More than 11,000 Hollywood television and movie writers went on their first strike in 15 years Tuesday, after talks with studios and streamers over pay and working conditions failed to clinch a deal. The strike means late-night shows are expected to grind to a halt immediately, while television series and movies scheduled for release later this year and beyond could face major delays.

The WGA’s new basic agreement with the Alliance of Motion Picture and Television Producers sets important boundaries on how AI can be used in Hollywood scriptwriting. For example, Article 72 specifies that any writing created by “Generative Artificial Intelligence” (GAI) or traditional AI cannot be classified as “literary material”, a legal term referring to any written content, published or unpublished. This amendment ensures that AI-generated content cannot replace or undermine the work of human writers, as the definition of “literary material” is now limited to human authorship.

Additionally, the agreement mandates that if a studio provides AI-generated material to a writer, the writer must be informed of its AI origin. More importantly, the use of such material cannot be used to diminish the writer’s pay or credit, providing essential protections against the potential exploitation of writers. These measures reflect a growing awareness of the need to preserve human creativity in an industry increasingly influenced by AI tools. Interestingly, the agreement also protects writers who choose to use AI – if a writer incorporates AI-generated content with studio permission, their pay and credit remain unaffected.

The legal complexities surrounding AI and creative works don’t stop there. As AI technology continues to evolve, it introduces new challenges to copyright law. Traditionally, copyright protects original works created by human authors, but the rise of AI definitely made the lines seem unclear. If an artwork is entirely generated by AI, who holds the copyright? Current laws don’t clearly address this, creating a potential minefield of disputes over ownership and rights. Moreso since AI mostly relies on already existing material, writers are put in a position where their work could be used as a steppingstone for AI generated texts. While the WGA agreement doesn’t prevent studios from using existing literary works to train AI models, it does grant rights holders the ability to deny permission for their work to be used in this way.

Of course, it’s important not to get too ahead of ourselves – AI still has a long way to go before it can truly rival human-created films. It will take several more years of advancements for AI to even come close to creating a worthy opponent. As it stands, “the problem with generative AI tools today – and with their human prompters, perhaps – is that giving them the right guidance to sustain a coherent story arc and visuals over time is exponentially difficult”. This fundamental challenge highlights the irreplaceable human touch in crafting narratives that resonate emotionally and intellectually.

In conclusion, I wholeheartedly recommend Heretic to everyone. As we embrace new tools and technologies, it’s crucial to protect human artistry. The recent strides made by the film industry to regulate AI usage underscore the need to safeguard human artists in an age of rapid technological evolution, ensuring that the essence of storytelling remains grounded in genuine human experience.

Sources used

https://screenrant.com/hollywoods-ai-rules-writers-agreement-studio-restrictions

https://jcmurraybooks.com/2023/10/10/what-did-the-wga-strike-accomplish

https://www.inverse.com/culture/when-will-ai-make-a-blockbuster-movie